Circular Hanging Cascade

 For this mini project, a die cutting machine comes in really handy, and of course different sized circular dies - plain and/or fluted circles.  If you are cutting from patterned card there is no need to cut so many layers, but as I was cutting from paper, I had to reinforce the shapes with card.  

You are aiming for three sections, the central and upper ones are the same size, but I have added a smaller circular mat to the smaller one.



 If you are stamping any designs, as I have done in the completed example to the left,  do all of this before you join them together.  To join, layer the circles on top of each other, to ensure they lay centrally when stacked.  *** Please note, if you have stamped a design on your centre section, or have a directional paper, this must fall completely upside down in this stacked position, otherwise it will be the wrong way up when it is fully opened.  When you are happy with the positions, piece a hole between the  lower and central sections, and join with a brad, and another hole between the central and upper sections, and join with a brad (see photo to the left).  I also added a loop of ribbon with a third brad so it could be hung up.

As you can see, I used inks and stamps to pattern some of my sections.  You could add photographs.  What about an 18th birthday, with one picture from when the recipient was a baby, another when they were perhaps 8 or 9 years old, and then a current photo.  There are endless possibilities for this project.

To open or close, simply rotate the sections.
Christine

Male Monochrome

 Whilst I have labelled this quick and easy card 'Male Monochrome' .... yes I know....very inventive...NOT !!!! ha ha....It's a pretty straight forward design that could easily be made for any occasion (what about getting ahead with Christmas cards ?) in any choice of papers and colours, and for all age groups.

I began with an A4 sheet of card, scored in half and trimmed to approximately 14.75 cms., or there abouts.  You just need it to look square as the rest of your work will be on mats and will be exact measurements.  I then cut a main square mat (metallic card) 5 5/8", on which to lay out the rest of my mats.  The black mats were  cut to 5 1/2" x 1 3/4" (x 3 panels), and the patterned panels were cut to 5 3/8" x 1 5/8" (x 3).  This allows a reduction of 1/16" of the mats and also 1/16" between the panels and the outer edges of the main mat, thus creating a balance.  I embellished the corners of the 3 panels with some card candi and cut two shaped mats for my focal point and to draw the card all together.  Sticking with the gold accent, I decided to edge my central mat with a chisel edged metallic marker.  It's only subtle, but I felt it added something.  Alternatively you could edge with an ink - neat or sponged on softly.

As this was a male themed card, and not all males like elaborate designs, fancy florals or cute pictures, I decided to keep it simple and stamp a quote on the panel.  A very simple but effective card, I'm sure you'll agree.  So what are you waiting for? ......Don't forget to email me some of your creations
Christine

Designer Keepsake

Well I have lots of photos to share with you  this week.  This is not one of my designs, and therefore I cannot share the patterns, but hopefully the photographs will give you an idea of the mechanics of the project, and you will be able to create something along similar lines.  It's great fun, it allows our inner designer diva to emerge, and it is well received...and treasured...by the lucky recipient.

This first appeared in Creative Card Making magazine, I guess about 9 years ago, by the fabulous, inspiring designer called Carol Kaczor.  In her published handbag, she also incorporated an open box/pouch section in the base, which she had filled with lots of goodies.  Her's was also Christmas themed.  

I immediately had to make one !!!  I will show you my original a little later.  For this particular bag I used the fabulous First Edition Noir et Chic papers.  As these are 'monochrome' of black and ivory, any accent colour can just set them off - so I chose a gorgeous pink, very girly.

The main handbag sections are from three double sided papers, graduated down in size.  There are also two pockets, two handles, a flap and a tuck tab, plus two side gussets to hold it all together.  You will also need 4 large brads (these are for the feet...you know like 'posh bags have - sorry not photographed these), 2 mini brads, 4 eyelets, and a chain and charm or something to dangle.  You could add extra things into the front pockets too.  You will notice that the side gussets have some self adhesive hook and loop attached, to close it and hold it in shape.  As the handles are attached using eyelets, you will need to consider what you will put inside to cover the back of these...same with the mini brads (the 4 in the base are added before you join the middle 'bag' shape to the large one).  Do also remember to slot your chain on the front handle before you set the eyelets, unless it is one you can re open.  I found an old key chain, but I have used curtain rings and old bits of jewellery in the past.

Here is a close up of the dangling charm.  Whilst I have only used three graduating layers for the bag, as the original was, there is nothing to stop you having more.  Although, you may have to be quite a poet if you have more space to fill.  I made one about 5 years ago for a 21st and wrote a poem about this particular person and thier place in our family.  I made sure I could divide the poem down into 10 sections, printing each one and cutting and inking mats, so that when each section (page) was

turned, the poem flowed.  You could leave the last section for you to write your message, or alternatively, add a tag to the pocket.

The one to the right was the very first one I made for my mum for Mother's day - still stored safely and treasured by her...nine years later !!!

I appear to have filled it with quotes about Mother's and punched flowers, gems & card candi.

The dangly was a curtain ring with a novelty from some Easter chooclate, if I remember correctly.  We crafters are very frugal :)

I am ashamed, although they were probably the 'in thing' all that time ago, but I also included wooden bees and dragon flies hovering over the punched flowers.  My, how times and fashions change.

Above all, have fun...it is quite therapeutic as well as exciting designing a handbag.

It is sure to please that special person, worthy of such a memorable keepsake.

Christine

Fun with Fabric

Well I decided to have a play with the fabulous So Soft Fabric paints by DecoArt...only £1.45 each in the webshop !!!! They are super soft brush-on acrylic fabric paints that are opaque and give excellent coverage and washing durability and don't require heat setting. Brilliant for brushing-on, stamping, sponging, or stencil painting.

These are the colours I stock which I feel is a good colour palette.  I made the flesh colour by simply mixing the pale pink, orange and white, and the browns by red/orange and a little black, and sometimes yellow to create a warmer, lighter tone.  There are so many possibilities to custom make an abundance of other colours just from these twelve.

If you don't feel confident drawing free hand - I would draw my design in pencil first and then go over it in a fabric pen - you could always use your stamps and either a fabric or a dye based ink.  The baby design I stamped using fabric ink, but the bag...and an apron reading 'Domestic Goddess' (not shown)  were stamped in a dye ink and have remained permanent after washing.  Because I was colour mixing, I felt it best to complete all that colour before moving onto the next.  Those paints were beautiful and fluid and painted on with a brush easily.  Whilst I have painted the baby design on a square of fabric, this easily could be incorporated into a patchwork project.  The dots were simply created with with the point on the brush handle.  The only other tips, besides working in one colour before moving onto the next, would be to think about what lies furthest away or underneath, when you  begin painting.  So I began with the flesh because it is 'underneath' and the clothes are on top. And be careful not to smudge your work.  Recommended drying time is 48-72 hours, although I washed mine in just over 40 hours and the colours remained fixed.

The possibilities of what you can personalise are infinite.  When painting on canvas you will find that you may need to stipple your paint into the grooves of the weave, and as a precaution, just in case the colour went through onto the inside of the back of the bag, I placed some scrap paper between the layers.  These paints are suitable for all ages and abilities....what fun you could have with children painting on plain T-shirts, it could even be a party activity.  So what are you waiting for ?????  Don't forget to email me photos of your creations :)

Christine